Modern Look: Photography and the American Magazine

In the after-currents of World War II, avant-garde strategies in photography and design reached the United States via European émigrés, including Bauhaus artists forced out of Nazi Germany. The unmistakable aesthetic made popular by such magazines as Harper’s Bazaar and Vogue — whose art directors, Alexey Brodovitch and Alexander Liberman, were both immigrants and accomplished photographers — emerged from a distinctly American combination of innovation, inclusiveness, and pragmatism.

Featuring over 150 works including photographs, layouts, and cover designs, the exhibition considers the connections and influences of designers and photographers such as Richard Avedon, Lillian Bassman, Lester Beall, Margaret Bourke-White, Louis Faurer, Robert Frank, William Klein, Lisette Model, Gordon Parks, Irving Penn, Cipe Pineles, and Paul Rand.